"In" and "Maneo", from Latin, evoke the notions of permanence and interiority—an action that folds in on itself. The works originate from a primary blot, a spontaneous gesture that is rewritten by thread through a dense, reticular stitching. This repeated and invasive act not only covers the blot but redraws it, piercing the paper until it begins to fragment. The thread becomes connective tissue, holding the work together—a precarious unity suspended in a fragile balance. The process recalls a closed cycle, where beginning and end merge as integral parts of the same substance. It symbolizes the ideological and structural erosion of personal and social systems, worn down by a moral corruption that cuts into the very foundations of existence.
